Performing Arts – Hindu University of America https://www.hua.edu Wed, 12 Mar 2025 07:49:40 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.1 https://www.hua.edu/wp-content/uploads/2019/05/Asset-1@2x-100x100.png Performing Arts – Hindu University of America https://www.hua.edu 32 32 Raag Darshan – Swatantrata, Sanskriti and Sangeet https://www.hua.edu/blog/raag-darshan-swatantrata-sanskriti-and-sangeet/?utm_source=rss&utm_medium=rss&utm_campaign=raag-darshan-swatantrata-sanskriti-and-sangeet https://www.hua.edu/blog/raag-darshan-swatantrata-sanskriti-and-sangeet/#respond Mon, 15 Aug 2022 21:29:00 +0000 https://www.hua.edu/?p=20693 Hindu University of America celebrated 75 years of India's independence with the release of Raag Darshan, a musical tribute composed by Dr. Kanniks Kannikeswaran, integrating 75 ragas and Sanskrit lyrics, highlighting India's cultural legacy.

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The Hindu University of America celebrated 75 years of India’s independence with the release of a music video titled ‘Raag Darshan’ composed by its faculty member, Dr. Kanniks Kannikeswaran. This magnum opus was released in a formal online ‘Azadi ka Amrit Mahotsav’ event on Sunday the 14th of August.

RAAG DARSHAN

Swatantrata, Sanskriti and Sangeet

Raag Darshan is a musical, lyrical, and visual tribute to the timeless Indian ideals and traditions, in a garland of 75 ragas, with lyrics in the Sanskrit language, with contemporary orchestration, sung by a number of popular voices. Conceived, written, composed, and arranged by Dr Kanniks Kannikeswaran, this music video is a monumental work that strives to present a sense of ‘Wonderment’ in a collaboration across time-zones and regions. The 18-minute-long composition is presented in 4 roughly equal parts titled – ‘The Civilization’, ‘Sacred Geography’, ‘Colors of India’ and ‘Yoga’.

A string of 75 ragas with the names of ragas embedded in the Sanskrit supported with powerful visuals from all over India, and a series of captions, this music video is a once in a generation kind of production. The lyrical component of the composition is inspired by the Tamil works of Mahakavi Subramanya Bharati. The form of the Ragamalika is inspired by the Classical Music tradition of Muthuswami Dikshitar (1775-1835) and incorporates Raagas from both the North and South Indian traditions of Classical music with raga names encoded into the text.

Dr. Kanniks is known for his pioneering work in Indian American Choral music and a history of over 25 years in building communities through choral music. His earlier music video ‘Rivers of India’ celebrating India’s veneration for water-resources, starring singers Bombay Jayashri and Kaushiki Chakrabarty went viral and received critical acclaim.

A panel consisting of Dr. Sarvajna Dwivedi, a Scientist, Inventor and Entrepreneur, Dr. Sadashiv Dwivedi, Sanskrit Scholar and Director of Bharata Adhyayan Kendra, Banaras Hindu University, Dr. Kalika Uttarkar, Faculty in Hindu Philosophy at HUA, and Dr. Indrani Rampersad, Writer and Journalist from the Hindu Diaspora, Trinidad and Tobago joined Dr. Kanniks Kannikeswaran and President Kalyan Viswanathan for the event. The Panelists lauded the video, its composer, and the spirit of integrating Sanskrit, Sanskriti, Sangeet and Swatantrata that the music video represented.

They spoke movingly of the historic moment of the completion of 75 years of India’s independence, and the widespread optimism that it carried for the future. They also highlighted the work that was yet to be done, and possibilities yet to be fulfilled. Dr. Sarvajna Dwivedi said that the celebration might have marked the 75 years of India’s independence, but it portrayed 7500 years of Bharat’s culture and emphasized the importance of institutions such as the Hindu University of America in recovering and restoring that culture.

Dr. Indrani Rampersad spoke of the connection that the many generations of the Hindu diaspora who were uprooted during the colonial era, and the struggles they continue to have in preserving their culture and heritage. Dr. Kalika Uttarkar spoke of the need for confidence amongst the Hindus regarding their own cultural and civilizational values. Dr. Sadashiv Dwivedi spoke in Shuddh Hindi and Sanskrit, emphasizing the spiritual foundations of that civilizational Sanskriti.

Mr. Kalyan Viswanathan, President of Hindu University of America, said that on the occasion of the 75th anniversary of India’s independence, through the release of this music video, we celebrate the spirit of creativity and innovation that generates new expressions of ideas that are both ancient and timeless. India may be only 75 years old, but Bharat is ancient and timeless. Too often the sense of modernity that every generation embraces, comes at the expense of the wisdom of the ancients.

It is the spirit of Hinduism to harmonize, the past, present, and future, of tradition and innovation, of both continuity and change. As we move boldly into the future, we must also carry that timeless wisdom with us, so that it can be passed on to future generations. What better way to seek that harmony and transcendental vision than through music!

Dr. Kanniks Kannikeswaran explained how this musical video came into being, and the weeks of work that had gone behind its creation. He shared the inspiration behind the video, and the Sanskrit lyrics. Its integration of visuals from all parts of India, from different eras and traditions captures a unique sense of the diversity of Bharat and at the same time, the unity of its underlying spiritual vision. Kanniks went on to explain the intricate connection between the ragas, the text and the visuals that persists throughout the 18-minute-long composition.

Hindu University of America is founded with the vision of promoting dialogue across disciplines, cultures and civilizations while enabling self-discovery, conscious evolution, and harmony. Its mission is to provide education in knowledge systems based in Hindu thought involving critical inquiry, ethics, and self-reflection. Committed to fostering the culture and traditions of Hindu Dharma in an atmosphere of academic excellence and freedom, it prepares students for service, leadership, and global engagement.

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Choir Quarantined – Beyond Music Technology and Community building https://www.hua.edu/blog/choir-quarantined-beyond-music-technology-and-community-building/?utm_source=rss&utm_medium=rss&utm_campaign=choir-quarantined-beyond-music-technology-and-community-building https://www.hua.edu/blog/choir-quarantined-beyond-music-technology-and-community-building/#respond Fri, 07 Aug 2020 01:36:00 +0000 https://www.hua.edu/?p=19917 Highlighting choirs' struggles during COVID-19, the article showcases creative digital adaptations, the spirit of togetherness, and hopes for a brighter future where live music and shared harmony flourish once again.

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54 Million people in the United States sing in professional, semi-professional and amateur choirs. Are they to be deprived of this joy for the foreseeable future?

19 years ago, the 911 attacks on the United States changed the face of the world. A year later, a Super-Conductor friend of mine and I chatted over coffee in Downtown Cincinnati, to dream up a new means to open up new vistas for cross-cultural collaboration – by singing ancient chants for peace in a mixed choral setting. The result was ‘Shanti – A Journey of peace’, a musical production, the roots of which enabled us to leverage tradition, technology, and community together to forge a means to keep the dialog of interconnectedness alive at the grassroots level across continents.

We are now at crossroads again. The very breath of our singing chants for peace is challenged; by a virus, that has brought the world a grinding halt. We had dreamed of Peace movements going viral; all we have now is a viral pandemic. Air travel that we had taken for granted, is now off-limits. Local choral rehearsals are rendered impossible with singers being pushed to quarantine themselves for the general good of all of humanity.

And sadly, the virus has hit us where it hurts the most.

Singing in a choir is now deemed a health hazard. “S​inging is equal to coughing in the number of particles emitted. Unlike coughing, singing … is sustained,” – C​hoir America[1]

For instance, 45 of the 60 choristers who rehearsed together in Washington State with every social-distancing precaution in place developed symptoms and two died.

Here are some sobering observations from the American Choral Directors Association.

  1. There is no safe way for choirs to rehearse together until there is a vaccine or 95% effective treatment in place, most likely 1-2 years. Masks and spacing DO NOT protect your singers from contagion, and singers are super-spreaders.
  2. Though there may be some mitigation using a combination of UV lights and fan/atmosphere scrubbing inside, it is not 100% effective and the UV, in particular, maybe both expensive and dangerous.
  3. No concerts or public performances this fall, and frankly, maybe not for 1-2 years, though we actually don’t know.
  4. Once rapid testing becomes available, the possibility to rehearse with immediate testing before every rehearsal with iron-clad agreements from choir members.
    AUDIENCE:Temperature Checks at the door and required masks.

54 Million people in the United States sing in choirs – professional, semi-professional and amateur choirs. Common to each of these singers is the shared joy of ensemble singing. Are we to be deprived of this joy for the foreseeable future? The choral fraternity is in tears. We sang together to express ourselves, our hyphenated identities; we sang together to use our collective sound to express the possibility of peace and interconnectedness. We explored commonality in melody and harmony with people who looked and sounded different from ourselves. Far from being celebrated for singing together, we are now strapped with the burden of having our very breath of collective singing labeled as a health hazard! Is this the end of our choral-world as we know it?

Well, humanity has always come up with creative solutions to all crises and I am sure we will surmount this and emerge even stronger in the years to come.

Many choirs and ensembles have begun to make use of teleconferencing software and are sharing recordings of ‘seemingly live-performances’ on social media. Technology gives us the ability to get together online, speak, sing, share ideas, look at each other and even share our work with the rest of the world. We, the quarantined Indian-American community, learn new music across cities and states and even across national borders with the common objective of keeping the embers alive as we live through this temporary phase of social isolation.

We also stare at the question of what lies ahead for us. We acknowledge that this silencing of our collective voice is a ‘first-world problem’ in the face of the millions that are displaced in this Covid era. We note with wonder that this shutdown is enabling the world to think out of the box. We observe that tech savvy art-leaders, institutions and community organizations are keeping audiences engaged through online performances, interactions and education. We strengthen our resolve to stay connected and to sing; we reach out and educate our fellow singers on using technology to connect. We constantly remind ourselves that the Covid-Stupor is only a temporary phase and that we will wake up in a matter of months and that we will have an exciting world to rebuild. We acknowledge our bodies, our breath, our voices, our mental capabilities, our ability to learn; we strive to nurture every one of our faculties, to enhance our existing skills and to pick up new skills in preparation for the upcoming cultural and economic global renaissance in a post Covid world. We resolve to take care of our fellow-singers, to provide a listening space for each other and to stand together.

We yearn for the freedom of the pre-Corona/Covid era and look forward to our return. The growth in our ‘Awareness’ and our return to a state where the Arts can actually be experienced ​live will lead to a new found respect for live music and dance and a renewed respect for all lives.

Our fellow singers, our symphonies, our conductors, our choirs will all be our heroes along with the ushers, the box office personnel, the production crews and custodial staff that we will welcome back in a new spring, after this hibernation. The thrill of singing together, being together will empower us first, even as we continue to interact online and use ‘real-time digital rehearsing’ and sing of a kinder and gentler planet even as we continue to rebuild.

When the dust settles, all that would be left are memories of the time when we all contributed to this renaissance. May our progeny be inspired by legends of positivity from the post Covid recovery and rebuilding that we will share (with them) one day

[1] https://www.cincinnati.com/story/news/2020/05/10/never-faced-anything-like-this-covid-19-silence-singers/31018 46001/?fbclid=IwAR0wkp8uulyJ_GPRcfr3sUpdbwD6qapZa9WQrP1U-TzRaV03-0clh8socaI

Cover Picture Credit : Andrey Konstantinov

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