On a warm Thursday evening, April 17th, 2025, the Orlando chapter of Friends of HUA gathered for an unforgettable evening of inspiration, connection, and vision at Tabla Indian Restaurant in the heart of Orlando. Attended by esteemed leaders, scholars, and well-wishers of Sanatana Dharma, the event embodied HUA’s mission to preserve, protect, and promote Hindu knowledge systems for future generations.

A Warm Welcome and Setting the Tone

The evening began with a gracious welcome by Mr. Kiran Chhaganlal, Board Member of HUA, whose unwavering support for the university has helped build a strong foundation in Florida. His words reminded attendees of the transformative power of education rooted in Dharma and the vital role of community support in realizing HUA’s vision.

Following him, Mr. Suresh Gupta, another Board Member and a long-time well-wisher and supporter of HUA, extended a heartfelt Welcome Address to the gathering. His reflections on the growing impact of HUA set the tone for the evening—one of gratitude, purpose, and collective responsibility.

The Vision of HUA – From Concept to Movement

The heart of the evening was the inspiring address by Shri Kalyan Viswanathan, President of Hindu University of America. He offered a powerful introduction to HUA’s mission—to create a global platform where Hindu philosophies, traditions, culture, and civilizational knowledge can be studied with academic rigor and spiritual integrity.

Kalyanji emphasized that HUA is not just an institution of learning but a movement—a movement to reclaim and rearticulate the Hindu paradigm on its own terms, with authenticity and dignity. He reflected on the incredible progress made in the past six years, as HUA continues to grow with world-class faculty, cutting-edge programs, and an expanding global student base.

Keynote Address by Dr. Marc Halpern: Dharma in Action

The highlight of the evening was the keynote address by Dr. Marc Halpern, Founder of the California College of Ayurveda (CCA). A pioneering figure in the West’s Ayurvedic movement, Dr. Halpern spoke with deep conviction about his own journey of discovering his Dharma—to build a school in America for the authentic study of Ayurveda.

He recounted the challenges and triumphs of founding CCA at a time when Ayurveda was little known or misunderstood in the West. “My Dharma,” he said, “was not just to teach Ayurveda, but to make it accessible, legitimate, and spiritually grounded for this part of the world.”

His own personal story of how he came about working in the field of Ayurveda and words of wisdom resonated deeply with the audience, reinforcing the connection between Ayurvedic wisdom and Sanatana Dharma, and the importance of institutions like HUA in preserving and passing on these timeless traditions.

Introducing New Leadership and Vision at CCA

Following the keynote, Mr. Kiran Chhaganlal introduced Dr. Mahadevan Seetharaman, the newly appointed Dean of the California College of Ayurveda. Dr. Mahadevan, a seasoned integrative healthcare leader and Vedic wellness advocate, shared exciting new initiatives under his leadership including specialized programs for medical professionals bridging modern and Ayurvedic sciences, the expansion of clinical training centers in California and Florida, new line of Ayurvedic health products, rooted in traditional formulations and the creation of a Panchakarma Center at the Pine Lake Retreat Center, bringing authentic Ayurvedic detox and rejuvenation therapies to the East Coast.

Reflections and Recognition

The evening continued with a moving acknowledgement by Dr. Jashwant Patel, Chairman of the HUA Board of Trustees. Dr. Patel praised the incredible progress HUA has made over the last six years, building credibility as a pioneering online university committed to Hindu civilizational knowledge. His words honored the collective vision and tireless work of the faculty, leadership, and supporters who are sowing the seeds of Dharma that will bloom for generations to come. He emphasized the need for collaborative growth between HUA and CCA to build a vibrant ecosystem of Vedic education and wellness, accessible across the United States and the entire world.

Voices from the Audience

The event also opened the floor to the audience, where reflections and encouragement flowed freely. Many participants spoke about how deeply they resonate with HUA’s mission and the urgency to reclaim the Hindu narrative in academia and public discourse. Special mention was made of key attendees, including Mr. Sajjan Agarwal, Dr. Vimal Patel, Mr. Narsimha Koppula, Dr. Ajay Shah, and Sri Saumitra Gokhale, members of HUA’s Board. Shri Aravind Swami, VP of Operations at HUA was also in attendance. Their presence and support reflected the strong sense of community that has formed around HUA’s growing network of friends and ambassadors.

An Appeal for Support – Planting the Seeds of Dharma

The formal program concluded with a heartfelt appeal from Esther Dhanraj, Director of Outreach at HUA,  who spoke eloquently about why HUA’s work is not just important—but urgent. “We need seeds of support,” she said, “and the HUA team will toil in the sun, nurture them, and grow trees that will bear the fruits of Dharma for the world to benefit from.” She reminded the audience that investing in HUA is not just a donation—it’s an act of intergenerational responsibility. It’s about securing the future for our children, our traditions, and the integrity of Sanatana Dharma in the modern world. Her appeal struck a deep chord with the audience, many of whom pledged their support for HUA’s mission—financially, academically, and spiritually.

Closing Thoughts: A Night of Purpose and Possibility

The Friends of HUA – Orlando Chapter gathering was more than just an event. It was a gathering of like-minded souls, a reaffirmation of purpose, and a call to action. With visionary leadership, dedicated supporters, and a rapidly growing ecosystem of scholars and seekers, HUA is not just growing—it’s thriving. As we move forward, the seeds planted that evening in Orlando will continue to take root across communities, states, and nations. The call is clear: Let us come together to preserve and pass on the rich, enduring wisdom of Sanatana Dharma—for our time and for all time.

To Learn More or Support HUA at https://www.hua.edu/orlando or Email: info@hua.edu

Together, let us sustain Dharma. Together, let us shape the future.

The post Planting Seeds of Dharma for the Future appeared first on Hindu University of America.

President of HUA Kalyan Viswanathan gave a presentation that punctuated Saturday’s program, Director of Outreach Ankur Patel spoke on a panel on youth engagement during the day, Dr. Madhu Sharma presented on her continuing work on Hindu Chaplaincy, while many students, faculty, and friends of HUA attended and participated, including Chairman of the Board Dr. Jashvant Patel.

From September 29th to October 1st, the Hindu Mandir Executives’ Conference featured a range of Hindu leaders addressing many issues, challenges, and opportunities. Pointedly, the last session of the conference was the inauguration of Hindu Heritage Month.

The HMEC has become a key opportunity for mandirs across North America to come together and share best practices, strategies, and concerns. An initiative of Vishwa Hindu Parishad of America, the rebranded Hindu Mandir Empowerment Council is an important and overdue step in the Hindu movement. Spearheaded by Smt. Tejal Shah, many prominent members of the Hindu community eloquently presented on a wide range of topics.

Over 500 mandirs from across North America have participated in this rotating conference with 51 mandirs actively participating in this year’s HMEC.

President of HUA, Shri Kalyan Viswanathan gave a poignant and persuasive presentation on Saturday morning that left participants aware of the important mission and recognizing the purpose of Hindu University of America. “There is no doubt that HUA has acquired more mind space in the HMEC”, Kalyanji.

The conference provided HUA an opportunity to share information about our many initiatives aimed at engaging and synergistically working with the robust network of temples and mandirs across America. Some of the specific initiatives that gained traction include the Hindu Living initiative, the Bhagavad Gita Pariksha, Study Retreats at our Pine Lake Campus in Florida, and our wide range of courses and programs. 

HUA looks forward to taking our engagement with HMEC to the next level with brand new courses and a program soon to be announced! Meanwhile, HUA will continue to support and partner with mandirs across the continents on a range of initiatives, in person classes, lectures, or unique locally driven initiatives to restore, steward, and serve the Hindu community.

[From HMEC] About the event

Rebranded last year, the Hindu Mandir Empowerment Council is the largest annual conference for all the mandir stakeholders, including past and present executives, community leaders, volunteers, teachers of balvihar, and those engaged in various seva activities through temples. It brings together scholars from Mandirs, Gurudwaras, Ashrams, Derasars, and Hindu organizations in North America and the Caribbean to network, collaborate, and share best practices.

2024 Conference Theme: Hindu Diaspora: Deepening Their Sanatan Dharma Roots

Sanatan Dharma’s influence transcends spiritual traditions, intricately weaving itself into the social and cultural fabric of native civilization. The timeless wisdom of the Vedas and other shastras, including the Itihasa, Ramayan, and Mahabharat, continues to inspire and guide billions, upholding the principles of dharma encompassing justice and morality.

Hindus worldwide enrich the tapestry of the global spiritual, social, and cultural milieu through their lives and by respecting and honoring ancient traditions in their adopted lands. To fully understand the essence of Dharma and Hindu Thought, one must explore its core, its roots, stems, leaves, and flowers in depth. Practice it, realize it, and stay connected to Bharat.

Agenda includes:

• Webinars on temple safety and security
• Educational webinars in partnership with the Hindu University of America
• Building positive narratives on Hindu symbols like Swastika
• Helping temples when faced with Hinduphobic attacks

Some of the recent HMEC activities

• Publication of books on Hindu rituals and practices
• Alerts and webinars on temple safety and security
• Educational webinars in partnership with the Hindu University of America
• Helping temples when faced with Hinduphobic attacks
• Building positive narratives on Hindu symbols like Swastika

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Speaking on the occasion, in his keynote address, Dr. Marc Halpern said: ‘Thank you so much
for welcoming me into your community. The California College of Ayurveda was founded in
1995 in Nevada City, California. We have a beautiful campus up there in the foothills of the
Sierras. To bring together our journey of CCA of almost thirty years with the journey of HUA is
truly beyond words for me. We have been promoting the knowledge and principles of
Ayurveda, Yoga, and Hindu Dharma all this time. Coming together with the traditional Hindu
community is a dream beyond anything I could have imagined. This union is itself a yoga for the
benefit of humanity.’

Dr. Halpern then offered a prayer to Lord Dhanwantri and invoked his blessings on the
upcoming occasion of International Ayurveda Day. Dr. Halpern spoke about his seven-year
healing process, which led him through his personal, professional, and spiritual journey to
Ayurveda. He wondered what it would look like to bring the best of the West and the best of
the East together. He said, Vedic knowledge is the path of understanding how to create
harmony in our lives,’ adding that ‘Ayurveda holds the key to healing our communities and the
world as it goes deeper into the psyche and consciousness.’ Dr. Halpern received a standing
ovation for his remarks.

In his talk, Shri Kalyan Viswanathan, President of the Hindu University of America, said, ‘Marc is
now part of the Hindu University of America. A fundamental commitment of this merger
between HUA and CCA is the recognition of the growing Western community of spiritual but
not religious (SBNR) people in the USA, who have been nurtured in the wake of the many
teachers from India who brought Hindu thought to the US. Starting from Swami Vivekananda in
1893, Paramahamsa Yogananda in the early twentieth century, followed by Maharishi Mahesh
Yogi, Swami Vishnudevananda, Swami Chidananda, Osho, Bhaktivedanta Swami Prabhupada,
Swami Chinmayananda, Swami Dayananda Saraswati, Mata Amritanandamayi, Sri Sri
Ravishankar, Sadguru Jaggi Vasudev, and many more have seeded ideas from Bharat in the West, resulting in this ever-growing community that is now open to Yoga, Ayurveda,
meditation, mindfulness, and spirituality in general.’

Speaking on the potential of this merger, Mr. Viswanathan spoke about the possibilities and
challenges that lay ahead, highlighting the opportunity for ‘filling the evidentiary gap in
Ayurveda that remained a stumbling block when it came to mainstreaming Ayurveda in the
West.’ He said that the ‘development of clinical studies, the publication of papers, accreditation
standards, procedures for licensure at the state levels, and securing the potential for
reimbursements from insurance companies all lay ahead in the future, as milestones yet to be
accomplished.’ He also called out the possibility of ‘defining the field of integrative medicine
from an Ayurvedic foundation, as opposed to an allopathic as yet another exciting possibility
that lay in front of us.’ Shri Kalyan Viswanathan added that ‘creating a university such as HUA is
the work of many generations. We are merely marking a significant milestone now. Many more
crucial developments in the form of other schools, centers, departments, and institutes will
emerge in the next few decades.’ He then called on the Hindu community to embrace HUA and
contribute generously towards its growth.

The highlight of the gala event was the honor bestowed on Shri B. U. Patel by Dr. Jashvant
Patel, Chairman of the Board of Trustees of Hindu University of America, for his significant
contribution towards the growth and mission of HUA at a formative time in its journey of
rejuvenation. Dr. Jashvant Patel recalled that ‘when I took over as the Chair of the finance
committee of HUA, Shri B. U. Patel and his family were the first stop I made to ask for funds,
and the HUA family is deeply grateful to Shri B. U. Patel and Pushpaben for their invaluable
contribution to HUA. We cannot acknowledge them enough for their support.’ On behalf of the
university, Mr. and Mrs. B U Patel were warmly felicitated with the ‘Dharma Rakshaka’ award
inscribed on a plaque. Shri Naresh Solanki, the Mayor of Cerritos, presented a proclamation
from the city honoring the Hindu University of America for its contribution, Shri B. U. Patel for
his philanthropic gifts that have made a significant impact on society, and Dr. Marc Halpern,
who has served the Ayurveda community in the West for nearly three decades. This was
followed by a beautiful four-minute video presentation of Shri B. U. Patel and Pushpaben’s life
and accomplishments. The short film covered their early days in India, their initial venture into
Africa, their emigration to the USA in 1976, and their extraordinary business success in the
West. However, the film’s highlight was the selfless philanthropic work they have focused on
for the last quarter century, which has sown so many seeds that will impact millions of people
for generations to come, both in India and the West.

In his concluding remarks, Dr. Jashvant Patel added, As allopathic doctors, we know that we
can heal people fast, but Ayurveda excels in providing long-term health. Medical communities
globally recognize the value of integrative medicine today, especially that of Ayurveda.
Recently, I had the privilege of meeting the Prime Minister of India, Shri Narendra Modi, on
September 22, and he received the news about the merger of our two institutions with great
enthusiasm. He gave us the responsibility to authenticate Ayurveda using modern methods of
science and promised the support of the Government of India for our efforts.’

The décor was Diwali-themed. Attendees had the opportunity to celebrate Hindu culture,
support HUA’s mission of preserving and promoting Hindu traditions, and network with like-
minded individuals. The event featured various cultural activities, including a live Bhakti music
performance by the renowned duo Ashwin (AKS) & Lakshmi, an exhibition of Hindu-themed
paintings and art provided by Shri Srinivas Rao Mangu, and devotional music on the keyboard
during lunch by Aniketh Arun, a young and upcoming musician.

About Hindu University of America (HUA):

Hindu University of America (HUA) is an upcoming university offering an extensive curriculum in
the knowledge systems rooted in Hindu thought, including its philosophy, culture, Sanskrit,
yoga, meditation, Ayurveda, and more. HUA equips students with deep insights into Hindu
culture and traditions and their contemporary relevance in the modern world.
For more information about Hindu University of America, please visit the university website at
www.hua.edu or contact us at info@hua.edu.

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Waves 2024 – A Grand Confluence of Academic Scholarship and Vedic Wisdom

The 16th World Association for Vedic Studies (WAVES) Conference, hosted by Hindu University of America (HUA) in partnership with the Wider Association for Vedic Studies (WAVES India), convened over 250 scholars, participants, and attendees from around the world. From September 13th to 15th, 2024, the HUA campus in Groveland, Florida, became the focal point for elevating the academic discourse around Vedic Studies through panels, presentations, and plenaries, with this year’s theme being the Prevention, Management, and Resolution of Conflicts in Vedic Traditions.

A Platform for Global Scholarship

The world’s premier academic conference on Vedic Studies brought together a diverse range of voices, from seasoned scholars to emerging student researchers, reinforcing the breadth and depth of interest in Vedic thought. As WAVES International President Shri Sashi Kejriwal noted, “The diverse range of scholars who presented, attended, and participated in the WAVES 2024 Conference was impressive. What was unique about this conference was the great number of scholarly youth presentations. It was heartening to observe high school and college students not only in the audience but also at the podium articulating their own research.” This year’s conference was the first in-person WAVES gathering since the global pandemic, marking a significant milestone in the community’s return to face-to-face academic exchan

Confronting Contemporary Challenges with Vedic Wisdom

The world’s premier academic conference on Vedic Studies brought together a diverse range of voices, from seasoned scholars to emerging student researchers, reinforcing the breadth and depth of interest in Vedic thought. As WAVES International President Shri Sashi Kejriwal noted, “The diverse range of scholars who presented, attended, and participated in the WAVES 2024 Conference was impressive. What was unique about this conference was the great number of scholarly youth presentations. It was heartening to observe high school and college students not only in the audience but also at the podium articulating their own research.” This year’s conference was the first in-person WAVES gathering since the global pandemic, marking a significant milestone in the community’s return to face-to-face academic exchange.

Confronting Contemporary Challenges with Vedic Wisdom

The conference’s focus on conflict prevention and resolution drew attention to the enduring relevance of Vedic wisdom in today’s world. Shri Kalyan Viswanathan, President of HUA, shared his thoughts: “Hindu University of America is very proud to host the 16th biennial WAVES conference at its campus in Florida. WAVES has consistently provided a platform for scholars to express their perspectives through research papers and presentations. Vedic knowledge, even though ancient, is also very relevant for our contemporary age. This year’s conference theme centered around the challenges of conflict prevention, crisis management, and resolution. With many conflicts raging around the world, the scholars who attended the conference explored the relevance and value of Vedic wisdom in approaching the varied conflicts that we face today around the planet.”

The theme was explored through more than 100 research papers covering a wide range of disciplines, such as Philosophy, Anthropology, Medicine, Conflict Management, and Psychology. Focused panel discussions delved into subjects like Arthashastra, Ayurveda, and the distortions of Hindu ethos in educational systems. The sessions highlighted how the wisdom embedded in the Vedas could be instrumental in addressing today’s pressing issues, from global conflict to healthcare and education reform.

A Gathering of Eminent Minds

WAVES 2024 featured plenary speeches from several distinguished speakers, including Dr. Tony Nader (Virtually), Dr. Subash Kak, Dr. Vishwa Adluri, Dr. Debidatta Mahapatra, Dr. Joydeep Bagchee, Dr. Raj Vedam, Dr. Bal Ram Singh, Dr. Anil Maheshwari, to name a few; whose thought-provoking insights enriched the discussions and offered new perspectives on the application of Vedic knowledge to current challenges. Their contributions helped frame the ongoing conversation about how ancient wisdom can guide solutions to modern-day problems.

Bridging Generations of Scholars

One of the unique aspects of WAVES 2024 was the presence and active participation of the next generation of scholars. The conference provided a space for high school and college students to engage deeply with Vedic studies, both as learners and as contributors. This engagement not only showcased the growing interest among youth in their cultural heritage but also emphasized the importance of nurturing these young voices in academic forums. WAVES’ commitment to bringing together scholars across generations continues to build a bridge between ancient wisdom and contemporary inquiry.

A Blend of Academic Rigor and Cultural Immersion

Beyond academic discussions, WAVES 2024 also emphasized cultural and community engagement. Evening gatherings and jamming sessions allowed attendees to unwind and celebrate the vibrancy of Indian musical traditions, adding a dynamic cultural aspect to the conference.

The atmosphere of collaboration, community, and cultural celebration was palpable throughout the event, making WAVES 2024 a unique blend of scholarly rigor and immersive cultural experiences. HUA remains committed to hosting and facilitating the academic study of Vedic knowledge, and this conference further solidified its role as a hub for advancing Vedic studies.

Conclusion

WAVES 2024 successfully cleared space for escaping colonial frameworks and building an accurate Vedic worldview that speaks to today’s needs. This conference wasn’t just a series of scholarly sessions—it was a living, breathing testament to the relevance of Vedic knowledge in today’s world. With the successful conclusion of this event, all eyes are on WAVES 2025, where the conversations, research, and community spirit will surely continue to thrive.

The post Waves 2024 – Hosted by HUA appeared first on Hindu University of America.

Bhagavan Shri Ganesha

The inauguration ceremony began with a traditional Hindu puja conducted by HUA’s esteemed faculty member Shri Sree Aswath ji, who teaches Vedic rituals at HUA. Shri Kalyan Viswanathan served as the yajamana, or ritual patron, while Aswath ji presided over the puja as the priest. The ceremony commenced with the lighting of the akhanda-jyoti, symbolizing eternal light, followed by an invocation to Bhagawan Shri Ganesha, the remover of obstacles.

Shri Sree Aswath ji and Shri Kalyan Viswanathan doing homa.

As the puja progressed, Aswath ji explained the significance of each ritual, including the āhvahanti homa (आवहन्ती होम), a Vedic ritual aimed at attracting disciplined and dedicated students to the gurukula/ educational institution. During the homa, the attendees were encouraged to meditate on the deity being worshiped, with Aswath ji leading the chanting of mantras, invoking blessings for prosperity and abundance. Aswath ji chanted a profound shloka addressed to Agni/Yajna Purusha, rich with symbolism and deep meaning. The captivating significance of the shloka and its elaboration, which mesmerized the audience, merits its own dedicated post.

In his concluding remarks, Dr. Jashvant Patel added, As allopathic doctors, we know that we
can heal people fast, but Ayurveda excels in providing long-term health. Medical communities
globally recognize the value of integrative medicine today, especially that of Ayurveda.
Recently, I had the privilege of meeting the Prime Minister of India, Shri Narendra Modi, on
September 22, and he received the news about the merger of our two institutions with great
enthusiasm. He gave us the responsibility to authenticate Ayurveda using modern methods of
science and promised the support of the Government of India for our efforts.’

Attendees immersed in the puja

Aswath ji urged all the attendees to meditate (do dhyana) on the deity to be worshiped. He explained that in a homa/yajna, we start by meditating on Agni. A beautiful mantra with deep meaning and symbolism, addressed to Agni/Yajna Purusha, chanted by Aswath ji. The beautiful shloka and its equally mesmerizing meaning, which left the audience in awe, deserves its own independent post. The homa culminated with purnahuti and the hall reverberated with collective chanting of stotras, as the HUA staff and faculty, the representatives of the board, our generous patrons and the other attendees all joined as proud Hindus in the chantings and pradakshina.

Following the homa, Shri Kalyan Viswanathan expressed gratitude to staff, board members, patrons, and attendees for their support. He announced HUA’s completion of five years under his leadership and extended thanks to donors, Shri Brahmaratan Agarwal ji and Shri Suresh Gupta ji, for providing the office space.

Shri Kalyan Viswanathan ‘s note of thanks to Shri Bhramaratan Agarwal ji.

The event also served as an opportunity to introduce HUA’s staff, many of whom gathered in person for the first time since 2018 due to the COVID-19 pandemic. Attendees were introduced to key personnel, including Vice President Shri Aravind Swami, Director of Student Experience Smt. Sumedha Kashalkar, and Director of Advancement – Shri Ankur Patel, Director of Outreach – Smt. Esther Kamakshi Dhanraj, Accreditation Liaison Officer – Smt. Jyoti Yelagalavadi, Coordinator of Sanskrit Studies – Smt. Parvathi Sriram and Coordinator of Content – Smt. Jyoti Suravarjula.

HUA Staff, Members of Faculty for the Ayurveda Retreat and Members of the Board.

In addition, faculty members from the Ayurveda Retreat – Dr. Rupali Pense, Dr. Kanada Narahari, Dr. Shriram Sarvotham and Dr. Mahadevan Seetharaman, and local board member Shri Kiran Chhagganlal were recognized for their contributions.

The ceremony concluded with attendees enjoying a satvik feast at the retreat cafeteria, fostering camaraderie and celebration among all present.

The Newly inaugurated office with Vice President Shri Aravind ji working at his desk.

The post HUA 5th Anniversary & Inauguration of the new HUA Office appeared first on Hindu University of America.

Our Much Loved Faculty Member, Shri Sree Aswath ji Honored

Shri Sree Aswath ji, our valued member of our faculty at the Continuing Education division, was bestowed with the prestigious title of ‘An Outstanding Ohioan’ from the Ohio State Representatives in celebration of his 80th Birthday falling on December 25, 2023.

The letter of special recognition, bearing the seal and signature of the Representative as well as the Speaker of the House, highlighted his numerous contributions to the world around him. It commended his infectious energy and enthusiasm that he generously shared with his family, friends and community, enriching the lives of those he came in touch with. His diligent and painstaking efforts to give back to his community were acknowledged and his accomplishments were praised. This special recognition was graciously sponsored by Ohio Representative Anita Somani.

Shri Sree Aswath ji is a much loved and respected faculty member of HUA, and teaches a popular certificate level course on Hindu rituals titled ‘Introduction to the Vedic Ritual’. Having imbibed Sanskrit learning since childhood from his grandfather Shri M.S.S. Shastry, who was a vidyvān (expert) at the Mysore Court, Shri Aswath ji furthered his studies with nine years of formal training in Vedas under Ācharya Professor Anantakrishna of Bangalore Sanskrit College. With his profound knowledge of Shastras, Aswath ji captivates his students with meticulous details that cannot be easily found elsewhere. Since 1995, Sri. Sree Aswath has been teaching Veda and Vedānta to students in the US, while also conducting weekly evening sessions on Hindu scriptures in Sanskrit for various groups in Columbus, OH.

In a recent milestone, the Hindu University of America celebrated its fifth anniversary, and on March 28, 2024, Shri Sree Aswath ji presided as the priest of the homa and puja at the inauguration ceremony of HUA’s new office space at Pine Lake Retreat in Groveland, Florida. He conducted the event with profundity, guiding and captivating the audience with his meticulous and beautiful explanations of the shlokas, leaving a lasting impression on the staff, the members of the board and other attendees, showcasing his depth of knowledge and vast experience.

The HUA family extends a warm and hearty congratulations to Shri Sree Aswath ji for this well-deserved honor.

The post Our Faculty Shri Sree Aswath ji Recognized appeared first on Hindu University of America.

The Hindu University of America commemorates the epoch-making punar-uddharana ceremony of the Ram Lala Mandir at Ayodhya with the release of a music video ‘Ayodhya – A Cultural Renaissance’ as a special tribute to the occasion.

Ayodhya – Music Video

This music video is composed and produced by Dr Kanniks Kannikeswaran, a faculty at HUA. The video weaves a 21st century multimedia-digital portrait of Ram using elements of Indian Classical music, Sanskrit Lyrics and powerful imagery. Earlier in 2022, Dr Kanniks had created the highly acclaimed work ‘Raag Darshan’ a portrait of India in 75 Ragas.

‘Ayodhya’ is released on the HUA Youtube Channel and will mark the occasion in a musical medium that integrates classicism, story telling, history, philosophy, Sanskrit, Hindustani and Karnatic music.

Celebrating the consecration of the mammoth Ram temple in Ayodhya and the cultural renaissance of Ayodhya through this musical medium is more than a fitting way to celebrate the epochal event. In creating this digital monument, we follow the model of leaders such as Rajendra Chola who built monuments such as the Gangai-konda-Cholapuram temple and engraved historic records in the form of inscriptions (celebrating the pan Indian outlook of the Cholas in their victorious march to the basin of the river Ganga), the footsteps of the Nayanmars, Alvars, and the Vaggeyakara Muthuswami Dikshitar.

Conceptualization, Research, Lyrics, Music, Script, Direction: Dr Kanniks Kannikeswaran

Running length:  7.5 min

Release Date:  January 21 11:00 am CST, in time for the consecration of the temple at Ayodhya

Lyrics:

śrī rāmachandram sadārādhayeham

śrīmadayodhyā sadanam dinamaṇi ravikula tilakam

nīrāgam nirāmayam nijānanda sukhapradam

nirālambam nirmalam- virājita sarayū taṭam

krūratara pāpa rahitam – māruti suhrdaya viditam

tāraka nāma sucharitam – dharma sthāpakam aniśam

ayodhyāpura- janmakshetram ānjaneya sannutam –

kalyāṇyā,,ramayā saha- kanaka bhavana- nivasitam|

koṭi-koṭi dīpavijita chandravadana— sphuritam

lalāṭa-tilaka-śobhita- traya- anuja-sahita-janitam

yogījana- kinkara- sevaka – suranarendra moditam –

yugāntara prasiddham -ati- nūtana mandıra- lasitam

parāśarātmajāśritam -mahāmatyādi vanditam

apāra- karuṇā pāngam -hridayasthitha māmakam –

śrī tyāgarāja-chakravarti-kamba – rāmadāsa

gosvāmi tuḷasIdāsa- kavikulaguru kāḷidāsa

bodhāyana- muni vasiṣṭha – śrī guruguha- mahā śreṣṭha

kulaśekhara – kavikokila śrīmadvālmikyārcita

martyāvatāra – maryādā puruṣottama

śrī rāma rāma rāma śrī rāma rāma rāma

raghupati rāghava rājā rāma

jai-śrī rāma rāma

śrī rāmachandram sadārādhayeham

Translation:

I always celebrate Sri Ramachandra who is enshrined in Ayodhya and who is the crown jewel of the Solar Lineage.

Who is beyond likes and dislikes, who confers true joy, who is pure and free and is enshrined on the banks of the river Sarayu. He destroys the accumulated karma and is ever present in the heart of Hanuman. His name bestows liberation and he is worshiped as the one who established the order of dharma in the form of Ramarajya.

He is enshrined in his birthplace in Ayodhya ; Anjaneya resides in his presence (at Hanuman Garhi). He is seated with Sita (who is endowed with auspiciousness Kalyan) by his side in Kanak Bhavan. His moon-like face excels the Dipotsav in its brilliance; born with three brothers, the tilak on his forehead radiates with effulgence. He is revered by the renunciates, the devotees engaged in service, humans, kings and the Gods; his presence in Ayodhya has been well known for eons; and he is (now) worshiped in a newly constructed temple. He is worshiped by great intellectuals such as Vyasamuni (the son of Parashara); he is filled with kindness and compassion beyond compare and he resides forever in my heart.

Victory to Rama, who is worshiped by Swami Tyagaraja, Kavi Chakravarti Kamban, Bhadrachala Ramadasa, Goswami Tulasidasa, Mahakavi Kalidasa, Bodhayana, Vasishta, Muthuswami Dikshitar, Kulasekhara Alwar, Maharishi Valmiki; an avatar in the human form, who is hailed as the noblest of purushas. Jai Shri Ram.

Thoughts from the Composer

Why it occurred to me to create this music video: A significant part of my understanding of Hindu Dharma is through temple visits and the Tamil liturgical music of the 700s and the Sanskrit Kritis of Muthuswami Dikshitar (1775-1835). The 1st millennium Tevaram songs are in praise of temples all over Tamilnadu and they provide a historical record of the temples in existence about 1300 years ago. The music of Dikshitar is along similar contours, and it uses the pan-Indian medium of the Sanskrit language and the Ragas of the 1700s and 1800s.

Much of the music that I have created over the years celebrates Bharat and the Dharmic Civilization. (e.g. Rivers of India, Monsoons (using the Tirukkural), Raag Darshan – A tribute to Bharat in 75 Ragas). During my recent trip to Bali, where I was blown away by the significant presence of Hindu dharmic ideas – I mused on how Dikshitar would have created music, had he visited Bali. The result was a music video ‘Om Swastiastu’, which uses the medium of the Kriti in Sanskrit, with visuals from all over Bali.

It was around Navaraatri 2023 that I figured out that time was running out*, and a similar kriti /video needed to be created in time for Jan 22. A kriti, which would narrate the story of Ram in Ayodhya, the geography of Ayodhya, the history, and the worship traditions with powerful visuals to accentuate the story. I wrote the first draft of the kriti during Navaratri; made a rough recording after Deepavali. Visited Ayodhya in early December; made a few changes based on the experiential understanding of Ayodhya; recorded the vocals over the Christmas holiday break, and worked on finishing and post-production all the way until Jan 22.

Moola Vigraha at the Ram Janmabhoomi Mandir

What Ram means to me: Raman is as much a Tamil word as it is a Sanskrit word. Rama-Nama-Japam is very common; and writing ’Sri Rama Jayam’ down multiple times is a powerful exercise that is steeped in Bhakti, stills the mind and improves focus. I have seen people do it all the time. Ram gets referred to in Tamil film songs very often. There is no family with a relative not named after Ram. Even Ayodhya is part of the Tamil vocabulary. Dikshitar refers to Ayodhya as ‘Saketa Nagar’. In the course of my working on music with various groups, the most moving stories regarding the relationship to ‘Ram’ are those thatI have heard from the Indo-Caribbean diaspora.

Ayodhya Ram Janmabhoomi Teertha Kshetra Mandir

What Ayodhya meant to me: My visit to Ayodhya in December this year was a memorable one where circumstances conspired to make it happen. It is a place that has its ‘vibes’. ‘Ram’ is in the air, water and soil and in peoples heart and lips in Ayodhya. There is a simplicity of life that reminded me of Bali. The narrow lanes, surprises around every corner, small temples, the sound of bells, the sound of Ram-Dhun wafting in the air from all directions; the simple greeting ‘Jai Shri Ram’, the kirtankars doing nothing but singing kirtans all day long, the various landmark temples, the lofty towers, the chill breeze by the Sarayu, the modern Arti on the river – all these are memories to cherish; in a lot of ways it was a transformative visit; one that enabled to me to experience the feeling of ‘surrender’ or ‘sharanagati’.

Prana Pratishtha at Ayodhya

What the prana-pratishtha means to me:

It is a ‘punar-uddharana’ or a renaissance of the entire landscape of Ayodhya. It is a renewal. It is a moment of civilizational awakening. The town, the state, the nation (and even the diaspora) will never be the same again. There is a tremendous sense of confidence, an upsurge of energy; the enthusiasm to serve. There is a major renaissance of the ecosystem around Ayodhya. Who would have imagined 10 years ago that Ayodhya would be home to an International Airport with flights (potentially) to Thailand and other places in the Dwipantara (Far East) with deep-rooted connections to Indian culture and dharma? From having been a sleepy town to one which was internationally known for a ‘dispute’ is now a flourishing center of religious tourism. It is only a matter of time before Universities get set up here. To me, this revival and renewal is a moment of tremendous possibility and inspiration; that shows the power of sankalpa or intentionality.

What did I want to convey using the lyrics: I wanted to paint a picture of Ayodhya as it is today. The raga chosen is ‘Kalyan’- in acknowledgement of the auspicious ‘Kalyana-gunas’ of Shri Ram. The first part of the composition describes the timeless attributes of Ayodhya-Ram, the scion of the Surya Vamsha. Ram as the Brahman – the truth of existence, who in his Saguna form resides on the banks of the Sarayu and is ever present in the heart of Maruti. The next part of the composition describes the various landmarks in Ayodhya (Hanuman Garhi, Kanak Bhavan, Sarayu, Rama Janma Bhumi mandir) and the attributes of the vigraha. There is a line in there that describes the effulgence of his Tilak (that I had written even before becoming aware that the temple was designed to have the sun illuminate his tilak once a year). There is another that compares the moon-like face to the brightness of the Dipotsav.

The kriti also acknowledges the love that the devotees express towards Ram; and puns on words to acknowledge the 21st century contributors to the temple. (For instance, the phrase ‘sura-nara-indra-moditam’ has the word Narendra-Modi hidden in it; ‘Parasharatmaja’ acknowledges Shri Parasharan and the word ‘mahamatyadi’ acknowledges the archeologist K. K. Mohammed). It concludes that (apart from the places described above) Ram resides in our heart.

Purvikas: The next part of the composition acknowledges several poets and musicians who have sung of Rama. Tyagaraja and Muthuswami Dikshitar (both of whom were mentored by Upanishad Brahmam an exemplary Ram Bhakta in Kanchipuram), Kalidasa, Bhadrachala Ramadasa, Kalidasa and others, and of course Valmiki.

Mudras: I acknowledge Dikshitar as the source of my inspiration using the phrase ‘Sri guruguha Maha sreshta’ and use my mudra- ‘Vidita’ in the phrase ‘Maruti Su-hrdaya viditam’.

The final part of the composition is a kirtan which is pictured on the Arti in Sarayu.

Artists: The singers Abhay Jodhpurkar and Reeshabh Purohit have done a fantastic job emoting the song and delivering it with spirit. The tabla accompaniment by Sai Shravanam is stupendous (and so is the soundscape that he has captured); the sarod played by Pratik Shrivastav adds a layer of depth; the choral singers provide ample support. I have sung a few lines along in the final recording as well.

It was a moving experience to be struck with revelations and discoveries as I composed and produced this piece; it was even more moving to watch the finished product and see the story come alive with great camera work on the artists and other visuals, edited elegantly by Sachin Dave.

My Sankalpa: It is my wish to share this with the world at large and inspire everyone to make a trip to Ayodhya in their lifetime. It is also my Sankalpa to make such music videos on 6 other places Kashi, Kanchi, Mathura, Ujjain, Haridwar and Puri – which along with Ayodhya constitute the 7 moksha-puris. (That I had referred to in the 75 Ragamala, in the raga Purya).

My Sankalpa: It is my wish to share this with the world at large and inspire everyone to make a trip to Ayodhya in their lifetime. It is also my Sankalpa to make such music videos on 6 other places Kashi, Kanchi, Mathura, Ujjain, Haridwar and Puri – which along with Ayodhya constitute the 7 moksha-puris. (That I had referred to in the 75 Ragamala, in the raga Purya).

*My initial idea was to produce a documentary film on the Footprints of Rama tracing his journey (Ramayana) through India using music and visuals from various parts of India. I had even written the outline of a script and a proposal. Perhaps it will happen at a later date.

About the Composer: Dr. Kanniks Kannikeswaran is an internationally renowned music composer, educator and scholar and an award winning filmmaker who is known for his sustained contribution to music and community for the past 25 years. His recent viral video, Rivers of India has received critical acclaim and has gone viral with words of praise from such luminaries as Anand Mahindra. Kanniks is regarded as a pioneer of Indian American Choral music; his far-reaching work in this area has touched the lives of over 3500 performers, inspired the flowering of community choirs in more than 12 U.S. cities, and built new audiences and collaborations. His flagship production ‘Shanti A Journey of Peace’ featuring a cast of 200+ is rooted in the Upanishadic vision of oneness and portrays 5000 years of Indian cultural history using choral music and multimedia.

Dr. Kanniks At Ayodhya

His research and his first-ever recording of the Indo Colonial Music of eighteenth-century composer Muthuswami Dikshitar in 2008 and his Documentary film ‘Colonial Interlude’ have received critical acclaim and awards in film festivals. Kanniks has collaborated with well-known ensembles and musician such as as Bombay Jayashri, Kaushiki Chakraborty, Ajay Chakraborty, Ranjani and Gayatri, Lakshmi Shankar, the Cincinnati Chamber Orchestra, the Cincinnati Pops Orchestra and others. Kanniks is the recipient of several awards including the Ohio Heritage Fellowship and the Distinguished Alumnus Award from IIT Madras.

The post Ayodhya – A Cultural Renaissance appeared first on Hindu University of America.

Participants, winners, and organizers of the inaugural Bhagavad Gita Pariksha with the HUA President Shri Kalyan Viswanathan and representatives of the Hindu Society of North Carolina and Sri Venkateswara Temple.

Bhagavad Gita Pariksha’s Inaugural Success in Morrisville, North Carolina: Empowering Minds, Elevating Discourse, and Nurturing Tradition

Transformative Collaboration

In a testament to the enduring richness of Hindu philosophy, the inaugural Bhagavad Gita Pariksha unfolded in Morrisville, North Carolina, on November 18th. The event, organized by the Hindu University of America (HUA), marked a transformative collaboration between HUA, the Hindu Society of North Carolina, Sri Venkateswara Temple, and Radio Nyra. With the pivotal role played by the Friends of HUA, North Carolina Chapter, the competition not only brought the local Hindu community together but also elevated the discourse surrounding the Bhagavad Gita.

The Event

The journey began with 51 students from the Research Triangle Park area of North Carolina signing up in the Junior (9th grade and below) or Senior (10th grade and above) competition levels. Six semifinalists in each category were eventually selected based on their scores from the morning’s written exam, demonstrating their deep understanding, interpretation, and application of the Bhagavad Gita. The exam, formulated under the guidance of  HUA President Shri Kalyan Viswanathan, showcased the depth of knowledge from HUA’s dedicated faculty Dr. Kallika Uttarkar and Dr. Shriram Sarvotham.

Incentivizing Knowledge and Empowering Learning

The heart of the competition, though, was the participants’ intellectual prowess and their application of the Bhagavad Gita to their lives. Sudiksha Thota won first place in the senior level, receiving a generous sum of $10,000. Second place went to Shashank PB with $5,000, and third place to Ridthi Patel with $3,000. In the junior level, Akshaj Vemuri claimed first place and won $4,000. Krish Patra came in second with $2,000, and Madhushri Gupta secured third place with $1,000. A total of $25,000 in prizes was distributed, providing a tangible incentive for spiritual knowledge.

The prize distribution ceremony was graced by the presence of the Indian Embassy in DC, adding an official touch to the event. The esteemed guests acknowledged the intellectual achievements of the winners, emphasizing the cultural and spiritual significance of the competition.

Sitting from left to right: HUA President Shri Kalyan Viswanathan, Dr. Sethu Raman, and HUA Faculty Dr. Kallika Uttarkar served as judges. Standing from left to right: Shri Manoj Pandya and Dr. Kishor Trivedi of HSNC, and Dr. Raj Polavaram of SV Temple were key organizers of the event.

Behind the Scenes

Behind the scenes, a dedicated team worked tirelessly to bring the Gita Pariksha to fruition. The collaborative efforts of the Hindu Society of North Carolina, Sri Venkateswara Temple, and Radio Nyra, along with the Friends of HUA, North Carolina Chapter, ensured the success of the event. From organizing volunteers to raising funds, this collective effort demonstrated the community’s commitment to preserving and promoting the timeless teachings of the Bhagavad Gita. Key individuals such as Dr. Raj Polavaram, Dr. Gopi Vasudevan, Dr. Kishor Trivedi, Raj Juneja, Manoj Pandya, Parag Dighe, Dr. Sethu Raman, Amit Kulkarni, Shreyas Joshi, Viral Trivedi, and Ankur Patel played crucial roles in making the event a resounding success.

Foundations for the Future

The Bhagavad Gita Pariksha not only celebrated the intellectual prowess of the participants but also laid the foundation for the future. By engaging young minds in discussions on Hindu scriptures, the competition fostered a sense of community and collective growth. While the inaugural Gita Pariksha was a remarkable success, the community is urged to continue supporting such initiatives. Radio Nyra did the important work of communicating with the community and spreading the word about BGP. Financial support for the event largely came from Dr. Raj Polavaram, Mr. Raj Juneja, Dr. Kishor Trivedi, and Dr. Gopi Vasudevan, but the entire community is called upon to contribute and ensure the sustainability of future endeavors.

HUA’s Commitment

HUA is committed to supporting and incentivizing the learning of the Bhagavad Gita. This includes stewarding a growing database of questions that will be available for future BGPs. In addition to the thoughtful multiple-choice questions, reading the short answers, and conducting interviews during the semifinal part of the competition, HUA will continue to conduct the Growing up with the Gita course, designed in parallel with the BGP. Reach out to us at support@ hua.edu if you would like to host such an event for your local Hindu community.

Nurturing Learning & Fostering Community Unity

The Bhagavad Gita Pariksha served as a remarkable milestone in promoting the timeless wisdom of the Bhagavad Gita while creating a powerful platform for intellectual growth, cultural celebration, and community engagement. Through this extraordinary competition, minds were empowered, discourse was enriched, and the preservation and advancement of Hindu heritage were propelled forward. It laid the foundation for future endeavors that will continue to inspire and uplift, fostering a deep connection to the teachings of the Bhagavad Gita and nurturing a sense of unity among the community.

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Multi towered Meru in a famous Bali landmark (Pura Ulun Danu)

Bali

The island of Bali in Indonesia has a predominantly Hindu culture. The population is 87% Hindu. “I was blown away by the first words in Balinese that I heard when I exited the airport at DenPasar,” says Kanniks, reflecting on the taxi driver greeting a Parking Booth Agent with the phrase ‘Swasti-Astu’. This is a Sanskrit phrase, a blessing wishing auspiciousness. A week in Bali with trips to various temples and marketplaces in the Ubud area, the rice fields of Jatiluwih, Ulun-Danu and UluWatu, a Gamelan school, the Kechak and Legging dance performers left the composer ‘overwhelmed’ at the cultural connections, the warmth and the hospitality.

Chaturmukha at a road crossing

Kanniks Bali Film

(An Indian American Composer celebrates Balinese Cultural Connection with India)

The result of this trip is this musical tribute titled ‘Om Swastiastu’ in a medium that integrates Sanskrit, Shaastriya Sangeet, Bharatanaatyam, Balinese Dance and relevant visuals from all over Bali, thus presenting a rich story of Bali in the context of the devata ‘Saraswati’.

The music, in the Southern Indian Raaga Bhupalam (with scalar equivalence to the Balinese Pelog scale) is structured along the lines of the compositions created by Indian composer Muthuswami Dikshitar (1775-1835). Dikshitar was a peripatetic composer, who visited temples all over the region and created ‘Kritis’ in their praise in the Sanskrit language with vivid descriptions of the places visited and their historical and cultural significance, in a collection of terse Sanskrit phrases.

This kriti (devotional composition) is an attempt to showcase the richness of Bali and its commonality with India in a traditional musical template in the pan-Indian Sanskrit language especially given the widespread prevalence of Sanskrit words in Bali. The song addresses Saraswati the Goddess of Wisdom, as Sharada, worshiped all over India from Kashmir to Kanyakumari. The release of this musical tribute in the year 2023 is significant as it coincides with the consecration of the Sharada temple in Kashmir and the historic visit of the Indian Prime Minister to the USA.

Kanniks at the Saraswati temple in Ubud

Kanniks

Dr. Kanniks Kannikeswaran is an internationally renowned music composer, educator and scholar who is known for his sustained contribution to music and community for the past 25 years. His recent viral video, Rivers of India has received critical acclaim and has gone viral with words of praise from such luminaries as Anand Mahindra. Kanniks is regarded as a pioneer of Indian American Choral music; his far-reaching work in this area has touched the lives of over 3500 performers, inspired the flowering of community choirs in more than 12 U.S. cities, and built new audiences and collaborations. His flagship production ‘Shanti A Journey of Peace’ featuring a cast of 200+ is rooted in the Upanishadic vision of oneness and portrays 5000 years of Indian cultural history using choral music and multimedia.

Kanniks taking a look at the daily offerings made to the various devatas

His research and his first-ever recording of the Indo Colonial Music of eighteenth-century composer Muthuswami Dikshitar in 2008 and his Documentary film ‘Colonial Interlude’ have received critical acclaim and awards in film festivals. Kanniks has collaborated with well-known ensembles and musician such as as Bombay Jayashri, Kaushiki Chakraborty, Ajay Chakraborty, Ranjani and Gayatri, Lakshmi Shankar, the Cincinnati Chamber Orchestra, the Cincinnati Pops Orchestra and others. Kanniks is the recipient of several awards including the Ohio Heritage Fellowship and the Distinguished Alumnus Award from IIT Madras.

Balinese Saraswati

The Kriti and its Translation

vāgdevī vidhi yuvatī- sarasvatī śārade

vīṇā pāṇI varade -sarasīruha padayugaḷe

śrībalipura śubha nilaye mudam dehi maṇivalaye – vāgdevī

vedānta vedinī kali kalmaṣa nāśinī

nādAnta vihāriṇī brahmāṇyanna pūraṇī

jāḍyāpahe śrī saccidānanda svarūpiṇī

ādyantarahita paramādvaita tatva prakāśinī – vāgdevī

ubūdapura kumuda sarasa madhye

ekādaśa tīrtha vaibhave – acintye

bhūta kāla mahite sumeru śrṅga lasite

viriñci viṣṇu rudra mūrti sahite

vicitra kurma prṣṭa svarṇa padmāsanaste sumate

campaka sugandha vijite – caitanya kusumapriye

kecaka nartanādi gambhīra nāṭaka mudite

gāmaḷānga bherivādya hamsanāda virājite

balipura bhūpāla pāla guruguha gajeśa vidite (vāgdevī)

‘O Saraswati, the Goddess of Speech, the consort of Brahma, One who bears the musical instrument Veena, One who is the Grantor of desires, one who is decorated with gem studded bracelets, Grant me Liberation’.

‘You are known through the wisdom of Vedanta, and you destroy the blemishes of ‘Kali Yuga’. You are the ultimate goal of Nada Yoga; you are also Annapurani who provides nourishment for all (the protector of the rice fields of Bali). You remove inertness; you are the form of truth, consciousness, bliss. You are the very essence of ‘Non Duality’, the state of existence without a beginning or an end’.

‘You are Taman Kemuda Saraswati who resides in a temple adorned with ponds filled with lotus/water Lilies. You are adorned with eleven Tirthas in the village temple. You are of the form of Achintya, that which cannot be comprehended. You are held in awe by Bhuta and Kala and you are resplendent on the tiered Meru. You are worshiped along with the Trimurti Brahma, Vishnu and Rudra; and you are worshiped on the golden Padmasana mounted on a tortoise.’

‘Your fragrance excels that of the Frangipani (Sacred) trees; you delight in the fragrance of ‘Consciousness or Chaitanya’. You delight in the grandeur of the Ramayana and other plays enacted in the Kecak dance form. You are enthroned, on the sacred sound of ‘Hamsa’ produced by the Gamelan ensemble; you are worshiped by Goa Gajah, the protector of the Ruler of Bali’.

Consistent with the compositional paradigm of the 1800s, the text of the composition features the name of the raaga Bhupalam. The raaga’s murchana is based on the Balinese (pentatonic) pelog scale. A modal shift of the tonic on this scale results in the ragas Gambhira Nata and Hamsanadam; and these are illustrated in this composition.

Dr. Kannikswaren has led several cutting edge projects as an HUA faculty member, including the epic Yog Darshan, teaches multiple courses, and encourages and invites participation from everyone, especially those who are musically and artistically inclined. From the rich ancient Hindu civilization, we see its dynamic evolution in the music, dance, architecture, and many aspects of daily life on Bali. Dr. Kanniks brings this to our attention in this project.

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Cultivating Unity, Empowerment, and Heritage: Insights from the 16th Hindu Mandir Empowerment Council in New Jersey

In a vibrant tapestry of unity, empowerment, and cultural preservation, the Hindu University of America proudly stood as a sponsor for the transformative 16th Hindu Mandir Empowerment Council (HMEC) in New Jersey. Formerly known as the Hindu Mandir Executives’ Conference, this evolution underscores the conference’s commitment to empowerment and its pivotal role in nurturing the Hindu community’s strength and diversity.

From September 29th to Sunday, October 1st, the HMEC served as a dynamic platform for over 51 mandirs, with a cumulative participation of more than 500 mandirs across North America. The conference, an initiative of the Vishwa Hindu Parishad of America, has become a crucial hub for the exchange of best practices, strategies, and concerns, offering a vital opportunity for the Hindu community to unite, learn, and grow.

Dr. Ved Nanda, the esteemed Chairman of the Board for the Hindu University of America, received well-deserved recognition during the conference for his devoted, committed, and effective leadership within the Hindu community. His honor not only highlights individual accomplishments but also signifies the collective strength derived from dedicated leaders within the community.

The Saturday program featured a pivotal presentation by Shri Kalyan Viswanathan, the President of HUA. His articulate and persuasive discourse not only emphasized the important mission of the Hindu University of America but also garnered recognition for the university’s purpose within the broader Hindu community. This aligns with the overarching theme of the HMEC, which focuses on empowerment and the role of educational institutions in shaping the community’s future.

The engagement continued with other key figures from HUA, including Vice President of Operations Aravind Swami, Board Members Gopi and Sajjan Agarwal, Board of Overseers Yelloji Rao Mirajkar, and Director of Advancement Ankur Patel. Their interactions with students, recruitment efforts, and the sharing of information about HUA’s initiatives like Hindu Living, Gita Pariksha, and the first Study Tour in India solidified the university’s commitment to nurturing the next generation of Hindu leaders.

Beyond the conference sessions, participants had the opportunity to explore the awe-inspiring BAPS Akshardham complex, an embodiment of the grandeur and cultural richness of the Hindu heritage. This visit underscored the importance of preserving and celebrating the heritage that forms the bedrock of the Hindu community’s identity.

The HMEC concluded with the inauguration of Hindu Heritage Month, marking a significant step in recognizing and cherishing the cultural tapestry of the Hindu community. It’s a reminder of the enduring importance of heritage, spirituality, and community in the lives of Hindu Americans.

Looking forward, the Hindu University of America reaffirms its commitment to supporting and partnering with mandirs across continents. By offering in-person classes, lectures, and locally-driven initiatives, HUA aims to contribute actively to the restoration, stewardship, and service of the Hindu community. The 16th HMEC not only strengthened bonds within the community but also set the stage for collaborative initiatives that will play a pivotal role in shaping the future of Hindu empowerment, unity, and cultural preservation.

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